Rocks in Snow
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Snow On Ice
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Rocks and Leaves
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Sycamore Bark
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Apple Tree Bark
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Tree Scars
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Pig Ears
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Limestone Wall
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Wood
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Earth
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Black Turnips
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Sunflower Seeds
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
Our Moon
Automatic Landscapes, 1995-1998
13, 8x10 Gelatin Silver Contact Prints
When I bought my first Deardorff, it came with two black wood dividers. The intended use was for commercial photographers who wanted to partition the full 8x10 sheet of film into four separate exposures, effectively making four images on the same piece of film to save costs. On the ground glass, where the image is viewed, the subject is upside down and laterally reversed. Making four images on one sheet complicates this, and the relationships of the resulting images becomes random, or automatic.
